El reconocimiento internacional En Irakere realiza en dos festivales de jazz celebrados en el "bloque del Este", el Festival de Jazz de Belgrado y el Jazz Jamboree de Varsovia. They created their own style with mixing together almost everything rhythmic they heard; jazz, funk, rock and traditional Cuban rhythms. They were busy with album recordings and even more busy with travelling around the world. They also used to record albums wherever they were performing and that was the case in Finland too.
Otto Donner produced the album by the way. Mista Tibbz Yo creo que a pesar de estar indentificados con el mundo del jazz, Irakere no es un grupo de jazz. Nico 18 de junio de , Unknown 17 de enero de , Moebius8 11 de marzo de , De ArtieC febrero 16, Orbitando 2. Le Caine 5. Un disparo de luz 6. Planeta agua Villegas De Moebius8 noviembre 11, Speak To Me 2.
Breathe 3. On The Run 4. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International.
Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Moebius8 30 de junio de , Nico 2 de julio de , Moebius8 2 de julio de , Moebius8 11 de marzo de , Ricardo 26 de diciembre de , Moebius8 27 de diciembre de , De ArtieC febrero 16, Orbitando 2. Le Caine 5. Un disparo de luz 6. Planeta agua Villegas De Moebius8 noviembre 11, Speak To Me 2.
Breathe 3. On The Run 4. Money 7. Us And Them 8. Any Colour You Like 9. Brain Damage Sylvan - Posthumous Silence De Moebius8 diciembre 22, Eternity Ends I Bequest Of Tears In Chains Some of the members, who had been rehearsing some ideas, stayed behind. In Santiago, a local music producer, composer and musician, Rodulfo Vaillant gave them a local studio to do a couple of recordings.
One of those was "Bacalao con pan. But somehow the tune made it from Santiago to radio stations in Havana where it became a hit; Irakere was formally organized a little bit later. He thought it was pretty funny stuff as opposed to 'serious' stuff. We've yet to get a second confirmation of this, although we may be close to tracking down Mr.
Vaillant in Santiago. Note that this demo recording they're talking about is nowhere to be found. The classic version of Bacalao that we find on about 20 different compilations was recorded in Havana in as part of the first album. And the horn section consisted only of Varona and Averhoff, with Paquito D'Rivera and Arturo Sandoval still marching to the beat of military drums.
EGREM released the same 8 tracks, with the same catalog number, with at least three different covers! Even more subversively confusing is the back cover of the second LP above. In our Roots of Timba section we review our two favorite tracks: Bacalao con pan and Quindiambo.
The latter, paired with La verdad, appears on one of the few 45s we've been able to find by Irakere. Oddly, another, , pairs the La verdad with Valle de la picadura. There must be more singles and EPs out there, and if you know of one, please send an email! We're also very interested in confirming that the 45s have the same recordings as the LP. We think the do, but around that time, Los Van Van made a habit or doing separate recording sessions for their singles and albums.
This cover shows Irakere's ground-breaking combination of jazz and folkloric instruments against a cluster of trees, known in Africa as an irakere. To avoid confusion, the insignia in the low right corner is not a clue -- it's the stamp of legendary Japanese vinyl collector Cubop. Using multiple covers for the same album is one of EGREM's favorite tricks, but in this case they outdid themselves, releasing two albums, at least 2 years apart, with different numbers LD and LD , the same covers, and different tracklists:.
To further complicate matters, this same series of tracks was released time and time again on a variety of foreign labels, with conflicting dates of course, and many of the tracks are also released on live albums from the same time period, as well as on studio albums entitled "En vivo"! It's based on a legendary Charlie Parker be-bop composition called Billie's Bounce.
Almost every phrase of the Parker song can be found in Chekere-son but it's all jumbled together in a very clever and compelling way. Continuing chronologically, we arrive at the extremely busy and fruitful summer of First came Irakere's famous tour of US and Europe.
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